ENCOUNTER WITH ONESELF
ENCOUNTER WITH ONESELF (solo) is a contemporary dance performance created by Anđela Bugarija and Kristina Lisica, accompanied by an exhibition by photographer Antonio Stipinović. Like subtitles accompanying a film, the exhibition follows the performance, sketching the (necessary) denudation required for a successful relationship with oneself.
Through the mediums of dance, film, and photography, the performer explores how to observe, develop and use one’s own resources to achieve a balance of mental and physical health.
THIS ONE: MISERICORDIA
This One: Misericordia is the first in a trilogy of dance works This One that explore how to stage questions surrounding the idea of life and death within the theatrical context.
This One: Misericordia is a dance performance in which artists deal with the question of what it means to live and die in the context of a performance. To address this subject through dance,
FLEETING
FLEETING explores the space between memory and the present moment. The work emerged from a period when the body lost its former ability to move, while simultaneously the desire to dance remained strongly present.
Through projections, voice, and minimal movements, the artist creates a multi-layered experience where past meets present. The performance structure is fluid like memory itself, while movements are shaped through the filter of the moment in which they arise.
‘Fleeting’
S ROBERTOM
S Robertom is the fourth in a series of solo performances in which dancer and artist Roberta Milevoj relies on autobiographical or self-reflective elements as a foundation for building choreographic material. After the performances Roberta, Roberta (2011), Opet Roberta (2013), Rob3rta (2019), the artist places the exploration of her own past as the basis for creating the performance work and dance vocabulary in the present. She’s finding inspiration both in her continuous engagement with dance and in small,
WHAT DO YOU SEE, OR NOT
How often are we convinced that we fully understand what is happening around us, confident that we have grasped the essence of what we observe? From the simplest to the most complex situations, assuming is a human trait—it is part of who we are. Humans have an innate need to explain things, to find answers, and we do so instinctively and immediately.
Someone laughing suggests a state of well-being; someone crying suggests anguish. Dressing well implies financial wealth.
Awards of the Professional Contemporary Dance Associations of Croatia
Soon more informations.
SOUNDS LIKE PEPPER
A vocal-dramatic project that engages performers through the exploration of the urge to scream—both within and outside oneself—while empathetically observing the world.
Vocal play, resonance, and listening in space; a series of intimate statements, multiplied through listening, hearing, and understanding others. Observation through the skin.
The corporeality of the collective female psyche shaped by insights and predictions that are felt, experienced and known, potentially dangerous, painful and healing—that can bring peace or at least calm and understanding,
KOLOPLET – Children’s Play
In this children’s play, we will play with Koloplet. He will take us to the world of wishes. Along the way, we will encounter various situations. But the question always arises: Are we on the right path? Maybe you can help us? Maybe Koloplet can? So, let’s begin, make a move, one, two, three, and a big turn!
For chlidern from 4 up to 10 years old.
MOTION SQUARE Exhibition and Panel
The “Motion Square” exhibition and panel
The long-time associate and official photographer of the ZPC, Neven Petrović, in cooperation with the Zagreb Dance Center, inaugurates the exhibition “Motion Square” on 16 December at 8:00 p.m. The exhibition is conceived as a spatial intervention at ZPC’s interior and it will remain inside the space until end of June 2025. As part of the exhibition, there will be a talk with the author and dance creators Ida Jolić and Koraljka Begović,