This documentary film celebrates the amazing achievements from the first decade of the National Youth Dance Company (NYDC) and the far-reaching impact on all those involved. For the last 10 years, NYDC has brought together talented young dancers from across the country to work with leading artists and create world-class performances.

NYDC is England’s flagship youth dance company run by Sadler’s Wells. With interviews from Guest Artistic Directors, including the renowned choreographers Jasmin Vardimon,

The play 3plet takes children into the world of unusual but lovable creatures – Love, Shame and Guilt. Although these complex emotions are often divided into positive or negative, these beings, regardless of their emotional nature, are near and dear to us all.
From an early age, we are faced with a whirlwind of emotions and states, and this performance has the task of channeling these emotions into a dynamic dance story that provides an insight into the imaginative journey of a child’s mind.

ENCOUNTER WITH ONESELF (solo) is a contemporary dance performance created by Anđela Bugarija and Kristina Lisica, accompanied by an exhibition by photographer Antonio Stipinović. Like subtitles accompanying a film, the exhibition follows the performance, sketching the (necessary) denudation required for a successful relationship with oneself.

Through the mediums of dance, film, and photography, the performer explores how to observe, develop and use one’s own resources to achieve a balance of mental and physical health.

This One: Misericordia is the first in a trilogy of dance works This One that explore how to stage questions surrounding the idea of ​​life and death within the theatrical context.

 This One: Misericordia is a dance performance in which artists deal with the question of what it means to live and die in the context of a performance. To address this subject through dance,

FLEETING explores the space between memory and the present moment. The work emerged from a period when the body lost its former ability to move, while simultaneously the desire to dance remained strongly present.
Through projections, voice, and minimal movements, the artist creates a multi-layered experience where past meets present. The performance structure is fluid like memory itself, while movements are shaped through the filter of the moment in which they arise.
‘Fleeting’

S Robertom is the fourth in a series of solo performances in which dancer and artist Roberta Milevoj relies on autobiographical or self-reflective elements as a foundation for building choreographic material. After the performances Roberta, Roberta (2011), Opet Roberta (2013), Rob3rta (2019), the artist places the exploration of her own past as the basis for creating the performance work and dance vocabulary in the present. She’s finding inspiration both in her continuous engagement with dance and in small,

How often are we convinced that we fully understand what is happening around us, confident that we have grasped the essence of what we observe? From the simplest to the most complex situations, assuming is a human trait—it is part of who we are. Humans have an innate need to explain things, to find answers, and we do so instinctively and immediately.
Someone laughing suggests a state of well-being; someone crying suggests anguish. Dressing well implies financial wealth.

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